http://www.phoenixlindseyhall.com/blog daily 0.75 2014-12-04 http://www.phoenixlindseyhall.com/blog/2013/4/23/carole-eisner-award-for-sculpture-award monthly 0.5 2013-05-09 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1366758812594-6LHA42CELCF8FQ60N8WY/Phoenix_Lindsey_Hall_22.jpg Blog - Carole Eisner Award for Sculpture Award Bat Bone and Slab, Stoneware ceramic and concrete, 12x24x48 inches http://www.phoenixlindseyhall.com/blog/2013/10/10/slugger-press-release monthly 0.5 2013-10-10 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1381427980613-81F9KJX8ZBT5MFGDV7X1/20131006_Phoenix_Lindsey-Hall_0142.JPG Blog - Slugger, By Phoenix Lindsey-Hall Opens Tonight! Flame Tempered, 2013, Ceramic Installation, Dimensions Variable http://www.phoenixlindseyhall.com/blog/silvermineartisttalk monthly 0.5 2013-05-13 http://www.phoenixlindseyhall.com/blog/2013/5/6/beyond-function-group-show monthly 0.5 2013-05-09 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1367871407634-8KE7AWNV1JW191WU5WA7/Phoenix_Lindsey_Hall_16.jpg Blog - Beyond Function Group Show http://www.phoenixlindseyhall.com/blog/davidrossdiscussesphoenixlindseyhall monthly 0.5 2013-05-10 http://www.phoenixlindseyhall.com/blog/2013/5/22/open-studios-and-artist-talk-june-2-at-200pm monthly 0.5 2013-05-22 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1369237558269-2UWS1LFPAEIPKSRL8WR7/PhoenixLindseyHallStudio.JPG Blog - Open Studios and Artist Talk, June 2 at 2:00pm My studio at Gallery Aferro http://www.phoenixlindseyhall.com/blog/2013/6/4/from-the-studio-of monthly 0.5 2013-06-04 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1370383020068-J863L3D83ISCOTI2AXKM/Phoenix_Lindsey-Hall_17.jpg Blog - From the Studio of... https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1370382917892-Y6XZZW2QX6QVUYOY7JVT/Phoenix_Lindsey-Hall_12.jpg Blog - From the Studio of... https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1370382973809-KTD1V282NKP28747T1YG/Phoenix_Lindsey-Hall_13.jpg Blog - From the Studio of... https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1370382997759-2XHPBY2OR5F8A1POLZFL/Phoenix_Lindsey-Hall_14.jpg Blog - From the Studio of... https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1370382874402-D2RC8G5AR6RKIW6H6DN6/Phoenix_Lindsey-Hall_11.jpg Blog - From the Studio of... http://www.phoenixlindseyhall.com/blog/2014/12/2/herradura-barrel-art-competition-winner monthly 0.5 2014-12-04 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417565647515-D1NG3WADK4FVWK94GDB9/image-asset.jpeg Blog - Herradura Barrel Art Competition Winner! https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417565704566-9XYA5N905BAZ383DR0XE/image-asset.jpeg Blog - Herradura Barrel Art Competition Winner! https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417625487111-18CJFYLS9MMPF9QTGGTE/image-asset.jpeg Blog - Herradura Barrel Art Competition Winner! https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417565214237-1L2YDVISCVCQ9T3XG881/4.jpg Blog - Herradura Barrel Art Competition Winner! https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417625521922-RZCZMTSDH1OYTO1GWS2X/image-asset.jpeg Blog - Herradura Barrel Art Competition Winner! https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417565677472-3XJFONZHOSUAFO263ZXS/image-asset.jpeg Blog - Herradura Barrel Art Competition Winner! https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417625143396-BAV44G962AX4YMZ1Q9QA/image-asset.jpeg Blog - Herradura Barrel Art Competition Winner! http://www.phoenixlindseyhall.com/blog/2014/10/16/crimes-against-nature-solo-exhibition monthly 0.5 2014-10-16 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1413503736937-N28R94CQTLRL28T35HZA/image-asset.jpeg Blog - Announcing Crimes Against Nature http://www.phoenixlindseyhall.com/blog/category/David+Ross+Juror+Talk monthly 0.5 http://www.phoenixlindseyhall.com/blog/category/Gallery+Talk monthly 0.5 http://www.phoenixlindseyhall.com/blog/category/Group+Exhibition monthly 0.5 http://www.phoenixlindseyhall.com/blog/category/Open+Studios monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Sculpture+Award monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Art monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Extinguish monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Artist+Talk monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Beyond+Funtion monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Vikki+Michalios monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Art+work monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Patricia+Dahlman monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Phoenix+Lindsey-Hall monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Novie+Trump monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/After+Kempf monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Alexandria monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Anne+Q.+McKeown monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Gallery+Aferro monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/VA monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Non-functional+Cermaic monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Juror+Talk monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Torpedo+Art+Center monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Target+Gallery monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Gallery+Talk monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Carol+Eisner+Award monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Dara+Alter monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Ceramic monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Silvermine+Gallery monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Carole+Eisner monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/Artist+talk monthly 0.5 http://www.phoenixlindseyhall.com/blog/tag/David+Ross monthly 0.5 http://www.phoenixlindseyhall.com/events daily 0.75 2013-04-01 http://www.phoenixlindseyhall.com/events/2013/4/15/event-one monthly 0.5 2013-04-01 http://www.phoenixlindseyhall.com/slugger daily 0.75 2013-12-11 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254701435-WD0BWYB3DVTYT0K8J00R/Phoenix_Lindsey_Hall_01+copy.jpg Slugger - Flame Tempered   Ceramic Installation Dimensions Variable (As Pictured: 6x8x12 feet) 2013   With quiet beauty and visual drama, Slugger transforms the everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender and hate crime cases. Here I pay special attention to the baseball bat as an American symbol of masculinity, sport and in this case, violent object. My large scale installation, Flame Tempered, is an organic configuration of over 70 ceramic baseball bats suspended in mid air. Illuminated with a single bare bulb casting long shadows through out the space, the work is an explosion of drama, perception and emotion. Peggy McGlone, art critic for The Star Ledger in Newark, NJ, recently described the piece as “at once beautiful and intimidating.”     https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254701435-WD0BWYB3DVTYT0K8J00R/Phoenix_Lindsey_Hall_01+copy.jpg Slugger - Flame Tempered Ceramic Installation Dimensions Variable (As Pictured: 6x8x12 feet) 2013 With quiet beauty and visual drama, Slugger transforms the everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender and hate crime cases. Here I pay special attention to the baseball bat as an American symbol of masculinity, sport and in this case, violent object. My large scale installation, Flame Tempered, is an organic configuration of over 70 ceramic baseball bats suspended in mid air. Illuminated with a single bare bulb casting long shadows through out the space, the work is an explosion of drama, perception and emotion. Peggy McGlone, art critic for The Star Ledger in Newark, NJ, recently described the piece as “at once beautiful and intimidating.” https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383927031330-0GQYZYIRJEPLLAQWSMY4/Flame+Tempered+Phoenix+Lindsey-Hall.jpg Slugger - Flame Tempered (Detail) Ceramic Installation Dimensions Variable 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254700758-GJVKFTZUNRPWMGUHS721/Phoenix_Lindsey_Hall_02.jpg Slugger - Slugger Installation Shot Including Plunge and Flame Tempered 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254702239-B0TP8N5RJBNU811KZJA5/Phoenix_Lindsey_Hall_03.jpg Slugger - Plunge Ceramic and Found Chair 30x32x40” 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254702172-SFP1ZLJAEB5G6HYV6OFS/Phoenix_Lindsey_Hall_04.jpg Slugger - Plunge (Detail) Ceramic and Found Chair 30x32x40” 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254703119-19TIHXKQ7LXJCORMMKI4/Phoenix_Lindsey_Hall_05.jpg Slugger - Slugger Installation Shot Including Hammer and Nail and A Portrait of Julio 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254703946-V20JPNR02843X5WYZW2G/Phoenix_Lindsey_Hall_06.jpg Slugger - A Portrait of Julio Inkjet Print, Frame and Support 43x62x24 inches 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254703799-N8Q8ACRGQ0DUX3LVQKU3/Phoenix_Lindsey_Hall_07.jpg Slugger - Hammer and Nail Ceramic and Nail 12x3x2 inches 2012 http://www.phoenixlindseyhall.com/flame-tempered daily 0.75 2013-12-11 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775944800-P4MYUB7FKUHK9ISNZBU2/Living_Gallery_01.jpg Flame Tempered - Flame Tempered Install Shot The Living Gallery Brooklyn, NY 2013   A wall of objects including a tin can, bleach, and plunger evoke a danger of domestic spaces, their objects and inhabitants. These are objects are common weapons found in Lindsey-Hall’s research of over 50 queer hate crimes. In her recreation of familiar forms, clay becomes skin as she press into the wet skin like surface. The twisting, mutilation and ultimate undoing of the body is transferred to the objects. The disturbance of everyday objects calls into question the very system in which they exist. “Portrait of Julio” is a large-scale photographic portrait of Julio Rivera, a1990 Queens hate crime victim. In a one off media appropriation, this image was taken with a macro lens of a projection of a microfiche article about the crime. The result is a scratching out of the victim as he peers out from behind the worn microfiche film, its history marking its surface. Exploring themes of violence based on difference, personal and historical loss and the dangers of pedestrian spaces, “Flame Tempered” reminds the viewer of the fragility of life not just for sexual and racial minorities, but for us all.         Building from After Kempf and Slugger, Flame Tempered deepens my exploration and recontextualization of objects that have been used as weapons in queer hate crimes. Clay becomes skin as I press into the surface, leaving the trace of my hand and simultaneously representing the act of violence. Here the twisting, mutilation and ultimate undoing of the body is transferred to the objects. The disturbance of everyday objects calls into question the very system in which they exist.   https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775944800-P4MYUB7FKUHK9ISNZBU2/Living_Gallery_01.jpg Flame Tempered - Flame Tempered Install Shot The Living Gallery Brooklyn, NY 2013   Flame Tempered continues and deepens my use of common domestic objects that have been used as weapons in queer hate crimes. Here, a wall of objects including a tin can, bleach, and plunger evoke a danger of domestic spaces, their objects and inhabitants. In her recreation of familiar forms, clay becomes skin as she press into the wet skin like surface. The twisting, mutilation and ultimate undoing of the body is transferred to the objects. The disturbance of everyday objects calls into question the very system in which they exist. The cornerstone of the show is my large-scale ceramic installation, which is derived from a hate crime that happened just blocks from the Living Gallery in 2008. "Flame Tempered" is an organic cyclone of over 70 ceramic baseball bats suspended in a mid air tumble. Illuminated with a single bare bulb, the work is an explosion of drama and emotion. “Portrait of Julio” is a large-scale photographic portrait of Julio Rivera, a1990 Queens hate crime victim. In a one off media appropriation, this image was taken with a macro lens of a projection of a microfiche article about the crime. The result is a scratching out of the victim as he peers out from behind the worn microfiche film, its history marking its surface. Exploring themes of violence based on difference, personal and historical loss and the dangers of pedestrian spaces, “Flame Tempered” reminds the viewer of the fragility of life not just for sexual and racial minorities, but for us all. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775943225-XIGKNAJ2AG24R1KQKFG9/Living_Gallery_02.jpg Flame Tempered - Flame Tempered Install Shot The Living Gallery Brooklyn, NY 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775943460-XPY5VD0OVVR9CJFGRO2A/Living_Gallery_03.jpg Flame Tempered - Flame Tempered Ceramic Installation Dimensions Variable 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386776894723-50EE976EGXKMXHMI5YT2/2_Julio_Rivera.jpg Flame Tempered - A Portrait of Julio Ink Jet Print 40x60 inches 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775943717-ME5WUIF7NFI5VM01S52I/Living_Gallery_04.jpg Flame Tempered - Flame Tempered Install Shot The Living Gallery Brooklyn, NY 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945415-F0MJMLQJA7HUD353TFZ7/Living_Gallery_05.jpg Flame Tempered - Knife Ceramic 1X7x0.5 inches 2011   https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945292-HYTK60VANANPRHP56825/Living_Gallery_06.jpg Flame Tempered - Bottle Ceramic 6x4x3 inches 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945647-NH6IO3NVZ2U7J3LFC0UA/Living_Gallery_07.jpg Flame Tempered - Plunge Ceramic 20x5x5 inches 2012   https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775946023-1PQJ0K4JJ6DR7RQPZXW2/Living_Gallery_08.jpg Flame Tempered - Sanitize Ceramic 9x6x6 inches 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945875-BJM3QF8G50IRNUYLAKT1/Living_Gallery_09.jpg Flame Tempered - Diced Ceramic 5x3x3 inches 2012 http://www.phoenixlindseyhall.com/crimes-against-nature daily 0.75 2014-12-09 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556492711-JOKL08IRA4W87WCCXGSV/Phoenix_Lindsey_Hall_06.jpg Crimes Against Nature - Twenty-One Ceramic Installation 42 x 84 x 7" 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556492711-JOKL08IRA4W87WCCXGSV/Phoenix_Lindsey_Hall_06.jpg Crimes Against Nature - Twenty-One Ceramic Installation 42 x 84 x 7" 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556496421-28818KW5T863CPT05Z4F/Phoenix_Lindsey_Hall_01.jpg Crimes Against Nature - Twenty-One, (Detail) Ceramic Installation 2014   “ “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556490387-CNSBT28BGXLBBTC14NYS/Phoenix_Lindsey_Hall_14.jpg Crimes Against Nature - Crimes Against Nature Installation Shot Foreground Lost Lovers Background Twenty-One     “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556493493-W3AUXGNWGI110WVYNNVD/Phoenix_Lindsey_Hall_05.jpg Crimes Against Nature - Lost Lovers Ceramic 20 x 7 x 58" 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556491403-GSJ7PSKPGTZIQI9229EG/Phoenix_Lindsey_Hall_11.jpg Crimes Against Nature - Crimes Against Nature Installation Shot Left: Lost Lovers Right: Lover's Knot   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556490992-1S98W4QA0IKB7T2TN75Y/Phoenix_Lindsey_Hall_12.jpg Crimes Against Nature - Crimes Against Nature Installation Shot From left to right: Lover's Knot, 1 7/8, Stoned and Fold     “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556494599-VAF18KWZA10INN09VEAM/Phoenix_Lindsey_Hall_04.jpg Crimes Against Nature - Lover's Knot Ceramic 8 x 10 x 10" 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556491634-66HOWVDCW2JKDQRJP7X9/Phoenix_Lindsey_Hall_10.jpg Crimes Against Nature - 1 7/8 Ceramic 9 x 7 x 3" 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556495233-V1P2MAV8HN0CHKXHKLG8/Phoenix_Lindsey_Hall_02.jpg Crimes Against Nature - Stoned Ceramic Dimensions Variable 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556490680-PLYP4NUH2O0AZYFY0DP0/Phoenix_Lindsey_Hall_13.jpg Crimes Against Nature - Fold Ceramic 3 x 5 x 14" 2013   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556492438-NVWSQVINAK4RMK71V2HZ/Phoenix_Lindsey_Hall_07.jpg Crimes Against Nature - Flame Tempered Ceramic Installation Dimensions Variable 2013   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556492044-0SPYNQMNTLVJRKJ1RBMI/Phoenix_Lindsey_Hall_09.jpg Crimes Against Nature - Crush Ceramic Installation 4 x 6 x 36” 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556493531-EYWGH7SU67KWSJYLXQ4E/Phoenix_Lindsey_Hall_08.jpg Crimes Against Nature - Double Headed Ceramic Dimensions Variable 2014   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1417556494239-G89X5ZNC5OQV41WX2C39/Phoenix_Lindsey_Hall_03.jpg Crimes Against Nature - Plunge 20 x 5 x 5" 2012   “Crimes Against Nature” was on view at The Brown Gallery of Duke University from October 22 - December 1, 2014. In this solo show, I use ceramic to transform everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender (LGBT) hate crimes. Working primarily in bisque white clay, I twist and contort these known forms, such as wrenches, cans and rocks. As these objects are transformed, they become a stand in for the body during such violent acts. Hammers become limbs; Bats become bodies. The disturbance of everyday objects calls into question the culture in which they exist. This exhibition was a part of Queering Duke History, a month-long commemoration of LGBT history at Duke and the larger community. This event was co-sponsored by the LGBTQ Commemorative Committee, the DUU Visual Arts Committee, and the Center for Sexual and Gender Diversity. http://www.phoenixlindseyhall.com/shepard-1 daily 0.75 2015-12-11 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1449855610240-TITIOQ6LXJK7134MR2QM/Shepard_Install_Shot_PLH_1.jpg Shepard - Shepard Porcelain, Resin, Acrylic, and Stainless Steel 5' x 6' x 14' 2016 Shepard which is a large-scale porcelain sculpture modeled after the wooden fence where Matthew Shepard brutally attacked and left for dead in October 1998. Seventeen years after this iconic and cruel hate crime, Brooklyn artist Phoenix Lindsey-Hall has recreated this symbol of struggle to remember those who have been lost in the fight for equality. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1449855610240-TITIOQ6LXJK7134MR2QM/Shepard_Install_Shot_PLH_1.jpg Shepard - Shepard Porcelain, Resin, Acrylic, and Stainless Steel 5' x 6' x 14' 2016 Shepard which is a large-scale porcelain sculpture modeled after the wooden fence where Matthew Shepard brutally attacked and left for dead in October 1998. Seventeen years after this iconic and cruel hate crime, Brooklyn artist Phoenix Lindsey-Hall has recreated this symbol of struggle to remember those who have been lost in the fight for equality. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1449855610353-C2ZJ9ECA4Q4HEMBK65QL/Shepard_Install_Shot_PLH_2.jpg Shepard - Shepard Porcelain, Resin, Acrylic, and Stainless Steel 5' x 6' x 14' 2016 Shepard which is a large-scale porcelain sculpture modeled after the wooden fence where Matthew Shepard brutally attacked and left for dead in October 1998. Seventeen years after this iconic and cruel hate crime, Brooklyn artist Phoenix Lindsey-Hall has recreated this symbol of struggle to remember those who have been lost in the fight for equality. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1449855610468-5SGIMUBOAQJ8P5R57M50/Shepard_Install_Shot_PLH_3.jpg Shepard - Shepard Porcelain, Resin, Acrylic, and Stainless Steel 5' x 6' x 14' 2016 Shepard which is a large-scale porcelain sculpture modeled after the wooden fence where Matthew Shepard brutally attacked and left for dead in October 1998. Seventeen years after this iconic and cruel hate crime, Brooklyn artist Phoenix Lindsey-Hall has recreated this symbol of struggle to remember those who have been lost in the fight for equality. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1449855610727-FK44W0D3H6BGSNLAMA3U/Shepard_Install_Shot_PLH_6.jpg Shepard - Shepard, (Detail) Porcelain, Resin, Acrylic, and Stainless Steel 5' x 6' x 14' 2016 Shepard which is a large-scale porcelain sculpture modeled after the wooden fence where Matthew Shepard brutally attacked and left for dead in October 1998. Seventeen years after this iconic and cruel hate crime, Brooklyn artist Phoenix Lindsey-Hall has recreated this symbol of struggle to remember those who have been lost in the fight for equality. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1449855688461-45D1IW0ONGJ6MMKENO4P/Shepard_Install_Shot_PLH_5.jpg Shepard - Shepard, (Detail) Porcelain, Resin, Acrylic, and Stainless Steel 5' x 6' x 14' 2016 Shepard which is a large-scale porcelain sculpture modeled after the wooden fence where Matthew Shepard brutally attacked and left for dead in October 1998. Seventeen years after this iconic and cruel hate crime, Brooklyn artist Phoenix Lindsey-Hall has recreated this symbol of struggle to remember those who have been lost in the fight for equality. https://static1.squarespace.com/static/517018f1e4b0c4daeddeecb6/566b0a6569492e9db2a31197/566b0f8005f8e2cb2d6a5b7b/1449856957153/ Shepard http://www.phoenixlindseyhall.com/never-stop-dancing-1 daily 0.75 2019-05-08 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1483322155449-XWBN2BRS4900B3BWYF4Y/Never+Stop+Dancing+Phoenix+Lindsey+Hall+01.jpg Never Stop Dancing - Never Stop Dancing Porcelain Installation 8' x 12' x 16' 2017 VICTORI + MO is pleased to present Never Stop Dancing, a new installation from Phoenix Lindsey-Hall featuring 49 illuminated, slip cast porcelain disco balls—an homage to the victims of the Pulse nightclub shooting in Orlando in June, 2016. Never Stop Dancing opens January 6, 2016 and on view through February 12, 2017. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1483322155449-XWBN2BRS4900B3BWYF4Y/Never+Stop+Dancing+Phoenix+Lindsey+Hall+01.jpg Never Stop Dancing - Never Stop Dancing Porcelain Installation 8' x 12' x 16' 2017 VICTORI + MO is pleased to present Never Stop Dancing, a new installation from Phoenix Lindsey-Hall featuring 49 illuminated, slip cast porcelain disco balls—an homage to the victims of the Pulse nightclub shooting in Orlando in June, 2016. Never Stop Dancing opens January 6, 2016 and on view through February 12, 2017. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1483322155456-85NCC77ASBAA9NJG2RTW/Never+Stop+Dancing+Phoenix+Lindsey+Hall+02.jpg Never Stop Dancing - Never Stop Dancing Porcelain Installation 8' x 12' x 16' 2017 VICTORI + MO is pleased to present Never Stop Dancing, a new installation from Phoenix Lindsey-Hall featuring 49 illuminated, slip cast porcelain disco balls—an homage to the victims of the Pulse nightclub shooting in Orlando in June, 2016. Never Stop Dancing opens January 6, 2016 and on view through February 12, 2017. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1483322156294-VJX03I6U513Z8B3B8SE3/Never+Stop+Dancing+Phoenix+Lindsey+Hall+03.jpg Never Stop Dancing - Never Stop Dancing Porcelain Installation 8' x 12' x 16' 2017 VICTORI + MO is pleased to present Never Stop Dancing, a new installation from Phoenix Lindsey-Hall featuring 49 illuminated, slip cast porcelain disco balls—an homage to the victims of the Pulse nightclub shooting in Orlando in June, 2016. Never Stop Dancing opens January 6, 2016 and on view through February 12, 2017. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1483322156399-6J5F6YD3V4WIXXM8KV4Z/Never+Stop+Dancing+Phoenix+Lindsey+Hall+04.jpg Never Stop Dancing - Never Stop Dancing Porcelain Installation 8' x 12' x 16' 2017 VICTORI + MO is pleased to present Never Stop Dancing, a new installation from Phoenix Lindsey-Hall featuring 49 illuminated, slip cast porcelain disco balls—an homage to the victims of the Pulse nightclub shooting in Orlando in June, 2016. Never Stop Dancing opens January 6, 2016 and on view through February 12, 2017. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1483322157253-FT1I4NCX8XMP8WW1F9BB/Never+Stop+Dancing+Phoenix+Lindsey+Hall+05.jpg Never Stop Dancing - Never Stop Dancing Porcelain Installation 8' x 12' x 16' 2017 VICTORI + MO is pleased to present Never Stop Dancing, a new installation from Phoenix Lindsey-Hall featuring 49 illuminated, slip cast porcelain disco balls—an homage to the victims of the Pulse nightclub shooting in Orlando in June, 2016. Never Stop Dancing opens January 6, 2016 and on view through February 12, 2017. http://www.phoenixlindseyhall.com/shame-in-the-first-betrayer daily 0.75 2020-02-24 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830350535-4ES4WAA5K9CIATKLHCHC/Lindsey-Hall_P_Image8.jpg Shame in the First Betrayer Shame is the First Betrayer continues Lindsey-Hall's unique explorations of queer life yet marks a departure from previous works which referenced past violent tragedies such as the Pulse night club shooting and Matthew Shepard. The new mixed media works instead focus on members of the queer communities themselves, most notably personal objects of cultural and historical interest. Manifest of five years of research, Lindsey-Hall has meticulously culled text, images and objects from the variety of sources available at the Lesbian Herstory Archives, home to the world's largest collection of materials by and about lesbians and their communities. Founded in the 1970's, the Lesbian Herstory Archives has preserved records of lesbian lives and activities, allowing anyone who feels their life should be represented to donate personal items, granting future generations important access to a myriad of materials relevant to their lives. Cultivating the chosen archival materials through a highly personal and carefully considered selection process, Lindsey-Hall was drawn to the writings and photographs of people proffering descriptions of themselves and their experiences. What was particularly interesting to Lindsey-Hall were the rooms of boxes she found in the Archives “Special Collections”, which fascinatingly contains people's personal belongings, including photographs and original texts. Artfully changing the scale of the archival images and writings from small to large, the artist challenges viewers to interact with significant cultural artifacts from lesbian life in the 1950's and 80's--effectively placing objects on public view to a wider audience then researcher in the archive. Lindsey-Hall also presents replicas of unique objects from the Archives' rich history, recreating the banker boxes and a banister from the space in plaster--physically re-contextualizing the Archives. Incorporating new techniques, such as directly silk screening photographs and texts on ceramic, metal, wood and fabric, Lindsey-Hall experiments with multiple layers of history. For example, one of the text pieces exhibited includes the Archives' original introductory notes on the creation of the Archive’s bibliography written by one of the founders, Joan Nestle. Presented in large-scale format, Lindsey-Hall reveals the writer's handwritten notes upon typewritten pages, an affecting mini-history in itself. Lindsey-Hall's installation serves as a singular homage to the Archives, a highly original artistic interpretation of its profound history and the ideas of searching and finding the critical links to a not so distant past. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830350535-4ES4WAA5K9CIATKLHCHC/Lindsey-Hall_P_Image8.jpg Shame in the First Betrayer Shame is the First Betrayer continues Lindsey-Hall's unique explorations of queer life yet marks a departure from previous works which referenced past violent tragedies such as the Pulse night club shooting and Matthew Shepard. The new mixed media works instead focus on members of the queer communities themselves, most notably personal objects of cultural and historical interest. Manifest of five years of research, Lindsey-Hall has meticulously culled text, images and objects from the variety of sources available at the Lesbian Herstory Archives, home to the world's largest collection of materials by and about lesbians and their communities. Founded in the 1970's, the Lesbian Herstory Archives has preserved records of lesbian lives and activities, allowing anyone who feels their life should be represented to donate personal items, granting future generations important access to a myriad of materials relevant to their lives. Cultivating the chosen archival materials through a highly personal and carefully considered selection process, Lindsey-Hall was drawn to the writings and photographs of people proffering descriptions of themselves and their experiences. What was particularly interesting to Lindsey-Hall were the rooms of boxes she found in the Archives “Special Collections”, which fascinatingly contains people's personal belongings, including photographs and original texts. Artfully changing the scale of the archival images and writings from small to large, the artist challenges viewers to interact with significant cultural artifacts from lesbian life in the 1950's and 80's--effectively placing objects on public view to a wider audience then researcher in the archive. Lindsey-Hall also presents replicas of unique objects from the Archives' rich history, recreating the banker boxes and a banister from the space in plaster--physically re-contextualizing the Archives. Incorporating new techniques, such as directly silk screening photographs and texts on ceramic, metal, wood and fabric, Lindsey-Hall experiments with multiple layers of history. For example, one of the text pieces exhibited includes the Archives' original introductory notes on the creation of the Archive’s bibliography written by one of the founders, Joan Nestle. Presented in large-scale format, Lindsey-Hall reveals the writer's handwritten notes upon typewritten pages, an affecting mini-history in itself. Lindsey-Hall's installation serves as a singular homage to the Archives, a highly original artistic interpretation of its profound history and the ideas of searching and finding the critical links to a not so distant past. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830170032-V4S1BHBGOSQNP01WLNW8/Shame+Is+the+First+Betrayer_5.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830069548-G5EEAVQ3TQGHYBDIV2GO/Never+Underestimate+the+Power+of+a+Dyke.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830352897-7XYRAX62DL5LF9GYOSEY/Lindsey-Hall_P_Image9.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830115965-L8PHFTYHG9IAPW2GUJP3/Shame+Is+the+First+Betrayer_10.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830154723-GQCIM5NLQG2WAG2IMMKN/Shame+Is+the+First+Betrayer_2.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830099647-XUP4C4ZOPJKN43D0XQP4/Plaid+Butch+from+The+Ladder.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830330871-MBE7KLZ0KRVTQRYCQAQW/Phoenix_Lindsey-Hall_04.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830055252-MXURKMYN0D82PBJFBVQC/Shame+Is+the+First+Betrayer_3.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830344946-QN5J1HG9A9N05Z3165LM/Lindsey-Hall_P_Image10.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830206301-LK4V3FYEDAGDWVOVSF9E/The+Gutter+Letter.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830179646-PHYALOBIB824B62CQ2AG/Shame+Is+the+First+Betrayer_12.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830200055-BW4C3DXWDOG5U1ZWXW1V/Shame+Is+the+First+Betrayer_4.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830338325-8GSQISK6T1JQ1MUV3JF8/Lindsey-Hall_P_Image11.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830344748-EC2V8N5THA7RG1XG361X/Lindsey-Hall_P_Image12.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830308459-9FSICW7ADILOGOXP5LFI/Shame+Is+the+First+Betrayer_14.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830318441-SIT1JELPZGJRFCN5CJPB/Shame+Is+the+First+Betrayer_9.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830335559-4H646NDVEZS0BMO1G2D3/Shame+Is+the+First+Betrayer_13.jpg Shame in the First Betrayer https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1570830323188-TN3AKC8QBX5PXI8EJ875/Phoenix_Lindsey-Hall_03.jpg Shame in the First Betrayer http://www.phoenixlindseyhall.com/lesbian-matters daily 0.75 2020-02-01 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580578416160-I3GPI5P29GDPZ3MLX8CT/image.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580578416160-I3GPI5P29GDPZ3MLX8CT/image.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576358135-KVH7Q67JSAYZGP04GBYR/Lesbian+Matters+Phoenix+Lindsey-Hall+01.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576359918-8PGZ9DGK4OG56R8KV5HZ/Lesbian+Matters+Phoenix+Lindsey-Hall+02.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576360384-WO56M9DXLTK3FGQZMDVN/Lesbian+Matters+Phoenix+Lindsey-Hall+03.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576361779-RNZD49O2O4C7JU98JT8C/Lesbian+Matters+Phoenix+Lindsey-Hall+04.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576362467-MP8KEC5T46QBHOXBQTHV/Lesbian+Matters+Phoenix+Lindsey-Hall+05.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576363488-XM3MON02HXQBQTC16H3U/Lesbian+Matters+Phoenix+Lindsey-Hall+06.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576364353-B3HU0MCOUT6CZOVVCYCO/Lesbian+Matters+Phoenix+Lindsey-Hall+07.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576365481-SQI7WQ6XLL1N1FYQNEJB/Lesbian+Matters+Phoenix+Lindsey-Hall+08.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1580576366195-618YLHR2NFBUD2KWTIBH/Lesbian+Matters+Phoenix+Lindsey-Hall+09.jpg Lesbian Matters - Lesbian Matters Lesbian Matters was a participatory art project that explores the personal and material effects that are collected throughout our lives. These personal collections of postcards, trinkets, letters, photographs, and buttons serve as reminders of life’s queer moments. What are the objects that make up your life? For an exhibition at Trestle Gallery as part of The BRIC Biennial, Brooklyn-based artist Phoenix Lindsey-Hall collected objects, stories, and personal artifacts that mark lesbian life. This will create a collective snapshot that reflects a contemporary lesbian objecthood. This call for materials was inclusive and open to anyone especially those identifying as lesbian, butch, queer, non-gender binary, trans, or believes their voice should be represented in this collective examination of contemporary lesbian life. In this way, we are preserving a living moment of lesbian history in real-time. http://www.phoenixlindseyhall.com/screaminsideyourheart daily 0.75 2021-09-28 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841744933-ELTPXRYU7NHQVHGGN9FS/20120609_5417.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841744933-ELTPXRYU7NHQVHGGN9FS/20120609_5417.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841744964-E3E06W7UJL85EIRKMGL8/20120609_5422.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841748531-F51L92P2YABBAHAM6PP6/20120609_5424.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841748716-UK5PDXZMDNCHI8AI3QQM/20120609_5430.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841751856-K4LXRI9JY4KSOWGUG5A1/20120609_5433.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841752293-815U7LIJU1G5DKXXAR1S/20120609_5439.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841754766-BR21R1893XCE9QWHUHCU/20120609_5442.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841755305-6LN9VZG710I12GM131JY/20120609_5446.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841757769-6OP5C9VQOT4BUY0ZQXG1/20120609_5449.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841758678-KNEW1VJOQW5R72109BYD/20120609_5452.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841760564-5S8XUSGVZQ8M504T7IQG/20120609_5455.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841761550-4NNVTVDGTUBIN3T8ZBBS/20120609_5457.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841763639-IH78GNC51BP5XNS1GLTV/20120609_5460.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841764702-UHCBHJATK220QE9ZLEUO/20120609_5463.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841766630-JXAXI57XONPIUCBKBS94/20120609_5464.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841767935-OY69HMS3HY548EHVYYQH/20120609_5467.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841769515-4QCZWYWPY43KBJKWVM72/20120609_5469.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632841770827-NMX5KC1TMV256F9MKQAC/20120609_5473.JPG Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632842523852-15JG7G3Y7AG0N6TO3OCV/Stephen+Irwin-7625.jpg Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632842529874-FR0IE4YSOQ56IQ8982YC/Stephen+Irwin-7631.jpg Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632842537830-4HXS60E3WH5MK1LOKYXU/Stephen+Irwin-7665.jpg Scream Inside Your Heart https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1632842544282-9FFKI3578820231SVGRU/Stephen+Irwin-7668.jpg Scream Inside Your Heart http://www.phoenixlindseyhall.com/never-stop-dancing daily 1.0 2020-02-01 http://www.phoenixlindseyhall.com/curriculum-vitae daily 0.75 2023-10-30 http://www.phoenixlindseyhall.com/stay-connected daily 0.75 2013-04-26 http://www.phoenixlindseyhall.com/contact daily 0.75 2013-04-23 http://www.phoenixlindseyhall.com/press daily 0.75 2019-05-09 http://www.phoenixlindseyhall.com/new-page-1 daily 0.75 2014-12-04 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254701435-WD0BWYB3DVTYT0K8J00R/Phoenix_Lindsey_Hall_01+copy.jpg SLUGGER TEST GALLERY BLOCK - Flame Tempered   Ceramic Installation Dimensions Variable (As Pictured: 6x8x12 feet) 2013   With quiet beauty and visual drama, Slugger transforms the everyday objects that were used as weapons in specific gay, lesbian, bisexual and transgender and hate crime cases. Here I pay special attention to the baseball bat as an American symbol of masculinity, sport and in this case, violent object. My large scale installation, Flame Tempered, is an organic configuration of over 70 ceramic baseball bats suspended in mid air. Illuminated with a single bare bulb casting long shadows through out the space, the work is an explosion of drama, perception and emotion. Peggy McGlone, art critic for The Star Ledger in Newark, NJ, recently described the piece as “at once beautiful and intimidating.”     https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383927031330-0GQYZYIRJEPLLAQWSMY4/Flame+Tempered+Phoenix+Lindsey-Hall.jpg SLUGGER TEST GALLERY BLOCK - Flame Tempered (Detail) Ceramic Installation Dimensions Variable 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254700758-GJVKFTZUNRPWMGUHS721/Phoenix_Lindsey_Hall_02.jpg SLUGGER TEST GALLERY BLOCK - Slugger Installation Shot Including Plunge and Flame Tempered 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254702239-B0TP8N5RJBNU811KZJA5/Phoenix_Lindsey_Hall_03.jpg SLUGGER TEST GALLERY BLOCK - Plunge Ceramic and Found Chair 30x32x40” 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254702172-SFP1ZLJAEB5G6HYV6OFS/Phoenix_Lindsey_Hall_04.jpg SLUGGER TEST GALLERY BLOCK - Plunge (Detail) Ceramic and Found Chair 30x32x40” 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254703119-19TIHXKQ7LXJCORMMKI4/Phoenix_Lindsey_Hall_05.jpg SLUGGER TEST GALLERY BLOCK - Slugger Installation Shot Including Hammer and Nail and A Portrait of Julio 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254703946-V20JPNR02843X5WYZW2G/Phoenix_Lindsey_Hall_06.jpg SLUGGER TEST GALLERY BLOCK - A Portrait of Julio Inkjet Print, Frame and Support 43x62x24 inches 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1383254703799-N8Q8ACRGQ0DUX3LVQKU3/Phoenix_Lindsey_Hall_07.jpg SLUGGER TEST GALLERY BLOCK - Hammer and Nail Ceramic and Nail 12x3x2 inches 2012 http://www.phoenixlindseyhall.com/shepard daily 0.75 2015-10-02 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1443786925206-FTN4JLMTYS3IR13CJ6AK/image-asset.jpeg Shepard http://www.phoenixlindseyhall.com/new-page daily 0.75 2018-05-23 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775944800-P4MYUB7FKUHK9ISNZBU2/Living_Gallery_01.jpg New Test Page - Flame Tempered Install Shot The Living Gallery Brooklyn, NY 2013   Flame Tempered continues and deepens my use of common domestic objects that have been used as weapons in queer hate crimes. Here, a wall of objects including a tin can, bleach, and plunger evoke a danger of domestic spaces, their objects and inhabitants. In her recreation of familiar forms, clay becomes skin as she press into the wet skin like surface. The twisting, mutilation and ultimate undoing of the body is transferred to the objects. The disturbance of everyday objects calls into question the very system in which they exist. The cornerstone of the show is my large-scale ceramic installation, which is derived from a hate crime that happened just blocks from the Living Gallery in 2008. "Flame Tempered" is an organic cyclone of over 70 ceramic baseball bats suspended in a mid air tumble. Illuminated with a single bare bulb, the work is an explosion of drama and emotion. “Portrait of Julio” is a large-scale photographic portrait of Julio Rivera, a1990 Queens hate crime victim. In a one off media appropriation, this image was taken with a macro lens of a projection of a microfiche article about the crime. The result is a scratching out of the victim as he peers out from behind the worn microfiche film, its history marking its surface. Exploring themes of violence based on difference, personal and historical loss and the dangers of pedestrian spaces, “Flame Tempered” reminds the viewer of the fragility of life not just for sexual and racial minorities, but for us all. https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775943225-XIGKNAJ2AG24R1KQKFG9/Living_Gallery_02.jpg New Test Page - Flame Tempered Install Shot The Living Gallery Brooklyn, NY 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775943460-XPY5VD0OVVR9CJFGRO2A/Living_Gallery_03.jpg New Test Page - Flame Tempered Ceramic Installation Dimensions Variable 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386776894723-50EE976EGXKMXHMI5YT2/2_Julio_Rivera.jpg New Test Page - A Portrait of Julio Ink Jet Print 40x60 inches 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775943717-ME5WUIF7NFI5VM01S52I/Living_Gallery_04.jpg New Test Page - Flame Tempered Install Shot The Living Gallery Brooklyn, NY 2013 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945415-F0MJMLQJA7HUD353TFZ7/Living_Gallery_05.jpg New Test Page - Knife Ceramic 1X7x0.5 inches 2011   https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945292-HYTK60VANANPRHP56825/Living_Gallery_06.jpg New Test Page - Bottle Ceramic 6x4x3 inches 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945647-NH6IO3NVZ2U7J3LFC0UA/Living_Gallery_07.jpg New Test Page - Plunge Ceramic 20x5x5 inches 2012   https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775946023-1PQJ0K4JJ6DR7RQPZXW2/Living_Gallery_08.jpg New Test Page - Sanitize Ceramic 9x6x6 inches 2012 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1386775945875-BJM3QF8G50IRNUYLAKT1/Living_Gallery_09.jpg New Test Page - Diced Ceramic 5x3x3 inches 2012 http://www.phoenixlindseyhall.com/new-page-2 daily 0.75 2019-05-08 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1557282200505-1BL9A5HPR2P12WAQQ4BS/Phoenix-Lindsey-Hall_Lesbian_Matters.jpg New Page http://www.phoenixlindseyhall.com/shame-is-the-first-betrayer-1 daily 0.75 2019-05-08 https://images.squarespace-cdn.com/content/v1/517018f1e4b0c4daeddeecb6/1557280284110-DCUPOOX31H6LA2RVGX8N/Phoenix_Lindsey-Hall.jpg Shame is the First Betrayer